Revisiting Corteo

I took my family to see Corteo when it was in town. My sons got a visual and musical trip through their childhoods and I got to kvell about the folks I performed with who are still in the show. Fifteen years on they look and sound better than ever. Corteo has been re-conceived for arenas and, to my surprise, it still has its charm and is funnier in some places. To shorten the … Read More

Fascinating Interviews for My New Book

The book I’m working on is a new kind of challenge – it’s non-fiction, a history of the thirty-year collaboration between Chinese acrobats from Nanjing and San Francisco circus performers. I’m working with a team of five, and we’re all part of the story we’re trying to capture. The interviews have been wonderful, getting to hang out with my acrobatic mentor, Lu Yi, and a bunch of dear old friends I haven’t seen recently. … Read More

New Book in the Works

I’ve started working on a non-fiction book about the thirty year “circus affair” between Nanjing and the Bay Area. The focus is master acrobatic trainer Lu Yi, who has had a profound influence on circus in China, Australia, the U.S. and Canada, as well as the world of synchronized swimming here and in Japan. He has also been my teacher, my lâoshī, and a friend. At first, a group of circus folks and I … Read More

Working with My Heroes

It was 1972, I was walking past my school, Berkeley High, and music was blaring from Provo Park a block away. Provo was my park, where I spent hours balancing on a rope tied between two trees, learning new club routines, and practicing handstands and dive rolls. The other denizens of the park were stoned hippies and the occasional picnickers — no bands playing loud enough to rock City Hall across the street. Curious, … Read More

Parenting Adds Perspective

In my teens and twenties, and well into my thirties, I was pretty sure I would never be a father. At lot of us who toured for a living felt this way and, since I didn’t have a father for most of my childhood, I also had no image of what a father was. Now I have one son with a handlebar mustache and another with a giant red beard. I was deeply in … Read More

Learning from Acrobats

Dance Your Ass Off was the “gym” where I trained for my first acrobatic act, forty-five years ago. The owner of the infamous nightclub, Stu Goldberg, performed in circuses as a teenager and offered to train Wendy Parkman, Billy Kessler and me on the dance floor early Sunday mornings (most days, Stu was still counting money from the night before when we arrived). Over a decade later, I joined the Pickle Family Circus and … Read More

Talk to Jeff

For the last dozen years and counting, I’ve been taking what I know from a life on stage and using it to help folks in corporations grow their communication and leadership skills. In this year of the Water Rabbit, a year to focus on longevity, peace and prosperity, I’m going to go the other way, too, helping folks in the performing world grow their leadership, art, and business chops using skills learned in my … Read More

Healing Body and Mind

I don’t make New Year’s resolutions but I happened to find a therapist and start Pilates about a year ago. These two additions to my schedule are helping me realize how I’ve adapted to old injuries, in body and in mind, instead of doing the work to find healthier, stronger, kinder ways of moving through the world. When my Pilates teacher pointed out that my left hip is weaker than my right, I said, … Read More

Love Death Circus Now In Print

In 2020, the depths of the pandemic, you received a chapter a week of my novel Love Death Circus. Some of you read a few chapters, some of you read more than a few and some of you read the whole book. If you enjoyed any part of it, I am thrilled. One of the main reasons I serialized the book that way was to feel connected to you in a time of deep … Read More

Painting with Paper

My mother was an artist who became allergic to her paints. Since not painting was not an option, she invented a way to paint with paper. Mickey had a waxer to lay out the feminist magazine she published so she waxed the back of sheets of colored construction paper. Then she’d slash the paper with an Exacto knife and sorted these “brush strokes” by color. Instead of pots of paint, her studio was covered … Read More

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